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Jess Rooney Deane
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Grand Budapest book cover series: The making of

After seeing the popularity of my previous Wes Anderson book covers that I had made into prints that you can frame and hang on your wall, I decided to carry on in the series and make the rest of the movies as book covers. I decided to start off with The Grand Budapest Hotel, after already doing The life aquatic with Steve Zissou, Fantastic Mr. Fox and Moonrise Kingdom. Since I was doing this recently, I thought i'd share the process in how I make the piece as it might be interesting for some to see. 

As all of the other book covers are overview shots of that characters doing something with their hands, I thought I would keep along the same theme, so it seems as if you are the character. After watching the movie over and over again, I finally decided on the scene in the prison where they are cutting into one of the Mendl's 'Courtesan au Chocolat' with the prison shank/shiv, as it seemed like the iconic pastry in the film. So I started off this piece by looking at the film screen grab and sketching it over and over again until I was happy with the final layout. I also had to head down to Evans Art Supplies and the Art and Hobbie shop to get the exact pastel tone of paper that would suit the piece.

I started off by making the doily that would sit underneath the pastry as I thought it would be easier to shape everything else around that, and also so I could judge how big I would need to make the base of the pastry. After that I made the shape of the bottom part of the pastry and then made another a little bit smaller and another a little smaller than that so there was a large, medium and small pastry. After that I made the shapes for the different coloured icing that goes on each different size. I then cut out the shape of the Mendl's box that the cake would go inside. I lay it all out on my watercolour wood texture, that I painted to be the table the box would sit on, to see what it looked like. I decided that the pastry needed a lot more detail at this point as it needed to seem fancier than it was.

Before that I made the prison shank/shiv that cuts into the pastry, finally being able to use my metallic paper for something. I then shaped the fingers and hand around the shank so it looked like it was holding it and about to cut into the pastry. I wanted to add a bit more texture to the piece so I decided to find some blue ribbon, like the one that the Mendl's box is tied with, and use it in the piece to make it more interesting. After all that was done and the hands were complete I went back to making the pastry look more exciting. I decided that I would paint on the different details to make it look more appetising and glossy like the pastry in the film. I used gouache to add the little details on as it give a nice strong colour and blends well for the detailed parts. I also added gouache to the hands to fill in the details and added a matte top coat nail varnish to the nail parts to make them seem more realistic, it also gives them a nice shine for when you photograph the piece.

It was now time to put it all together, which meant printing out the title block to match the rest of the series of Wes Anderson prints, which you can find here. So I printed it off on the same paper as the others and cut it to size. I then laid everything out to photograph in the layout that I wanted. And finally edited the photo on my laptop until I was happy with the final piece. And this is it, the print will be available to buy very soon, in the same size as the rest of the Wes Anderson prints, on my Etsy and from Jam Art Factory (online and instore).

Hope you enjoyed this weeks post,
Jess x

tags: Wes Anderson, Grand Budapest, book cover, overview, movie, film, grand budapest hotel, Courtesan au Chocolat, mendl's, cover, print, paper, paper illustration, paper cut, pastel, process, series
Wednesday 09.02.15
Posted by Jessica Rooney Deane
 

Disastrous Dates: The process

This week I thought I'd show you how I create my paper cut stop motion animations. I started this project in my last year in college, and hope to continue it with more disastrous dates that i've heard. This is such a long process as it takes hundreds of photographs to complete. You can see the full videos here.

My top products to use when you are making a stop motion animation using flat objects are show above. These are a good quality camera, tweezers to move the little pieces of paper, blue tac to temporarily hold the pieces of paper in place, a tripod so you can keep your camera steady, a flat surface, and some sort of lighting (I usually try and use the daylight from the window, but you can get good lighting from amazon or you can make your own using white lightbulbs). 

All of the stop motion ideas started out the same, with a storyboard. This is where I decided what I wanted the animation to look like. I wanted it to seem as if you're friend was talking to you or bitching about their terrible dates, and then little images that they we're talking about would pop up in the video as if you were imagining what they are talking about. Each of these videos took around 300-400 photographs to make and then put together with the voice overs, that I forced my friends and boyfriend to do. 

Behind the scenes of the stop motion animation

To make different pieces of the face move, you have to move one of the pieces of cut paper a little bit and photograph it each time you move it. I wanted to keep it all about the expression in the face, of you looking at your friend when they are talking, so this bit was very important to get right. Each part of the stop motion is made from watercolour illustrations which are then cut out individually and made into separate moving pieces.  

Moving the mouth piece by piece so it seems like she is talking in the video.

The titles are also the same process of using watercolour cut out letters and a hand drawn signature. I wanted the titles to seem messy and a bit of a disaster to match the theme of the animations. I originally had the titles coming in one letter at a time and really neat but it didn't seem right having neat and perfect titles when the rest of the animation was supposed to be about a disaster. I'd also thought i'd show you how I test these stop motions out on my phone (using an app called iMotion on the capture setting) before taking proper photographs. The iMotion app is so handy for when you want to see what your video will look like, or to see you idea come to life, roughly and quickly, so you can see if it will work or if it needs to be changed or altered in anyway. For me, I thought this title sequence was too neat to match the disasterous dates that were being told so I made it more messy. But here is a sneak peek no one else has seen yet. 

Disastrous Dates: Title draft from Jessica Rooney Deane on Vimeo.

This was always going to be a time consuming process, but the end result is always worth it. With having a 4 year old laptop, this was going to take a little bit longer than expected to match up the voices with each of the photographs in the sequence that I wanted, but I liked how it turned out in the end and I can't wait to make more. I've also added the little moustache test that I made with the iMotion app below.

Disastrous Dates: Moustache test from Jessica Rooney Deane on Vimeo.

Send your disastrous dates to: jessrooneydeane@gmail.com and you might see them come to life in the same way!

Enjoy,
Jess x

tags: stop motion, animation, paper, paper cut, paper illustration, illustration, process, stop frame, frame, movement
Friday 08.14.15
Posted by Jessica Rooney Deane
 

Favourite art materials

Since finishing college, I've been focusing a lot more on my illustration and the pieces I want to create or what I have been creating for clients. Since I have been working in my own studio space, and not lugging all my materials in and out of college, i've noticed a lot more of what i've been using lately, and what I have been loving. I wanted to share with you the materials that I think work the best for me and why I love them.

After deciding to write this blog and laying out everything I needed to account for, I realised I use a lot of different art materials. Now, I don't use these every day, or for every project but these are the main things I have in my desk and what i'll grab when creating a new piece. I'll try link everything so that, if you like the sound of it, you can get it for yourself. 

Muji pens
If you already seen my July Favourites you'll already know that I have a new found love for these pens. I find they're so easy to use to get a good line and they come in a variety of colours. You can buy them online or in the Muji shop off Grafton street. 

Winson & Newton watercolour palette
I got this during my portfolio course and haven't stopped using it since. It's a well loved item and most of the colours I have are almost completely used up. This palette is so handy as you can use the lid to mix the colours on and all of the colours can be changed to suit the palette you want. My palette came with 12 colours which are Cad yellow pale, Cad yellow, Viridian green, Sap green, Chinese white, Yellow ochre, Burnt sienna, Cobalt blue, Aliz crimson, Cad red pale, Burnt umber and Ultramarine. You can buy all the colours separately as well, and change the palette to suit you. You can buy this palette from Evans and Easons in store, or here, or there is a similar one here.

Letraset Promarkers
I like these markers as they have an opaque finish to them, so you can draw over them with a different colour and they will change to a mix of both colours. These are great to use when you want to see what something will look like in colour before you put it on screen. I also like these markers as they come with a thin side and a thick flat side. You can get them in Easons and Evans, and also from amazon.

Tweezers
These are great for when i'm making my paper illustration because if you have a small piece of paper that needs to be stuck down then you can do it with precision with the tweezers, it also saves you from getting glue all over your fingers.

Scalpel
This is a necessary tool for making my paper illustrations, and cutting anything really as you can always get a precision line. I use the Swann-Morton scalpel with 10A blades. I usually wrap the handle with a lot of masking tape (as you can see in the photo below) to stop getting blisters on my fingers from the constant rubbing of the metal on my skin when i'm using it.

Art & Hobbie shop paper
This paper is great as they usually have a variety of colours and textures to choose from. You choose a normal folder (€5) or a large folder (€10) and fill it with whatever paper you want and then you pay for it. Simple.

Pentel watercolour travel brush
This brush is amazing for using with watercolour, you simply fill it with water and it's ready to use whenever you want. The tip is thin and flexible as well so you can use it for a variety of lines or details. It's so handy on the go too because the water is already in the brush so there's no need to bring a little water container with you.

Cutting mat
A much need accessory for making my paper illustrations and for cutting my prints down to size. This is also good as it is gridded so you can line up your print and cut it correctly. You can get the same A3 one I have here.

Notebooks
I like to try out and use a variety of different notebooks. I like to use my Moleskin notebook when I know I need thick paper for painting or using markers as they never seep through to the other side of the page. I really like Muji gridded and dot notebooks for working out lettering pieces and other designs with precision. Paperchase have a beautiful range of sketchbooks with amazing covers on every one, or you can get good quality, plain classic ones.

Ecoline liquid watercolour
If you seen my July Favourites you will have also seen these. These are amazing for getting a solid colour without having to mix any colours together. They come as a little pot but last for ages, as a little goes a long way. You can buy them here.

On.The.Run:202 luxusliner
This market is great as it has a fine tip so it's great for outlining a drawing or creating some hand lettering. I bought this from All City in Temple bar, Dublin.

Uni Pin fine line pens
I really like these pens as they come in a variety of sizes. My favourites to use are the 0.05mm pen for when I need to draw with a really thin line, the 0.2mm pen for drawing normal lines, and the 0.8mm pen when I need a thick line but don't want to use a marker. You can find them here.

Extra things which don't really need explaining:
Pritt stick
Rubber (eraser)
2B pencil
Tissue (for watercolour brush)
Metal ruler
Watercolour paper (300 gsm)
 

These materials are the main things that I use physically from day to day. There are so many more materials that I could name that I might use on the off chance for one or two projects but these materials are my most loved ones when doing things by hand before editing or doing something digitally. Let me know what your favourite art materials are!

Enjoy,
Jess x

tags: art, materials, illustration, pens, watercolour, ink, pencils, paper, brushes, muji, ecoline, blades, palette, fineline, promarker, moleskin, paperchase, pencil, art and hobbie
Wednesday 08.05.15
Posted by Jessica Rooney Deane
 

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